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The courtyards will receive some visible daylight - sidelight - and will showcase three-dimensional installations as well as works that don't require highly controlled lighting conditions.Īround the building's perimeter are winding terrace galleries, which will have direct sunlight and views of the city and Hancock Park. These spaces, at the juncture of different paths through the building, will also serve as display sites. In between these clusters are the courtyard galleries. Each will be sheltered from daylight, with controlled lighting systems to allow the display of fragile works, such as photographs, textiles and paper. Arranged in four broad clusters around the new building, each is designed in the form of a square or a rectangle at various scales to accommodate everything from a large-scale exhibition to a single master work.Ī single, combined entrance and exit is meant to provide a focused curatorial experience.
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Twenty-six core galleries will offer the most controlled viewing experience. (Atelier Peter Zumthor & Partner / The Boundary)
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There have been countless unknowns surrounding LACMA's vast rebuilding project: the nature of the landscaping, whether the underside of the massive concrete structure would feel like a pleasant, shady spot or an oppressive freeway underpass, where the museum's playful Alexander Calder fountain sculpture might go.Ī rendering of a "core" gallery - an internal space where the light can be fully controlled to protect fragile works. "I think it's going to be absolutely sublime, but that's for the public to see." "I did ask for and got something that would be very different," says Govan. Like everything else about the building, it will not be traditional. Pereira & Associates is a fragment of the four-story Ahmanson Gallery - and begins excavation for the section of the building on the southern side of Wilshire, do we have some idea of how the largest museum in the western United States plans to showcase its art. Only now, as LACMA demolishes the last of its older buildings - all that remains of the 1960s structures by William L. In April, the museum pushed the release to early summer. In February, Govan said the plans would be ready in March. The release of the plans comes after months of delays. As will a 300-seat theater in the section of the building on the southern side of Wilshire.Ī floor plan shows the distribution of LACMA gallery spaces in Peter Zumthor's design. Other services, among them the museum's education department, shop and three restaurants (including a new wine bar), will be at ground level. The galleries are composed of two dozen rectilinear spaces - basically, boxes - arranged in clusters and surrounded by interstitial spaces that will also display art.
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The topline: Other than necessary mechanical systems and bathrooms, the building's entire second story will be devoted to galleries, a total of 110,000 square feet of exhibition space. The release includes half a dozen new renderings that offer some answers to what form the galleries will take in his blob-shaped building that will bridge Wilshire Boulevard. After months of demurring, the Los Angeles County Museum of Art has made public a floor plan for its new building, designed by Swiss architect Peter Zumthor. (Atelier Peter Zumthor & Partner / The Boundary)Īt last. A rendering of one of the "courtyard" gallery spaces for the Peter Zumthor-designed building at LACMA.